I was doing my music because it was fun, and I always was like, "If it becomes a business, or it becomes too demanding, or if people try to tell me what to do or control what I'm doing, I won't do it."

I was just doing it for fun. I was in college recording music as a joke, so I really didn't think that a career was feasible - being able to travel.

If we actually supported these gay artists and pumped money behind them the same way they pump money behind these divas, a conversation of homophobia in hip hop wouldn't be. Because I would have the money and the revenue coming in. It's not about homophobia or who's going to push back. It's all about who's supporting you and where there's money from.

I am a rapper. The reason why I was against the whole rapper title is because I know so many people who want to be rappers and they're not.

I think when I dropped The Eulogy is when it became more [about] feedback because that's when Pitchfork wanted to review it and things like that.

Living New York, everyone has a million hustles, so I was doing party promoting, working the doors at parties, doing that whole nightlife thing.

Sometimes I start with the beat. Sometimes I can write something down and it takes me a while to figure out how I want to say it or the beat I want to say it to. I definitely like to live the experiences that I cover.