Sometimes I start with the beat. Sometimes I can write something down and it takes me a while to figure out how I want to say it or the beat I want to say it to. I definitely like to live the experiences that I cover.

Every time someone asks me who I want to work with, my answer is always the same: whoever wants to work with me that won't want to get their ego stroked.

I think when I dropped The Eulogy is when it became more [about] feedback because that's when Pitchfork wanted to review it and things like that.

In this day and age of social media, where everything is so centred around how many Instagram and Twitter followers you have, what's keeping me afloat is the fact that my live performance is something that people can enjoy.

I want to be respected as a writer and, like I said, I was really sick of people saying I was a two dimensional character. I want more to my legacy, I guess.

I think what's keeping me making music - the money is great, but I make music for the visibility.

With a lot of people you think you want to work with, you reach out to them about working and then realize you don't want to anymore because they're a complete dickhead.