I don't think it's completely better. I still have to do annoying things sometimes and explain things that I don't feel I have to [about LGBT].

If we actually supported these gay artists and pumped money behind them the same way they pump money behind these divas, a conversation of homophobia in hip hop wouldn't be. Because I would have the money and the revenue coming in. It's not about homophobia or who's going to push back. It's all about who's supporting you and where there's money from.

Not to sound egotistic, but I've gotten kind of good at it. It's something that came naturally to me, but my rapping is rooted in my writing.

I want to be respected as a writer and, like I said, I was really sick of people saying I was a two dimensional character. I want more to my legacy, I guess.

I think each track tells a different story about what I'm going through. But overall it's just me being young, my love of alcohol, and my love of turning up.

I was doing my music because it was fun, and I always was like, "If it becomes a business, or it becomes too demanding, or if people try to tell me what to do or control what I'm doing, I won't do it."

Every time someone asks me who I want to work with, my answer is always the same: whoever wants to work with me that won't want to get their ego stroked.