What drives me is what I'm putting out into the world, and I like to make films that people can connect to, or they can escape in.

Script for an actor is like a bible. You carry it with you, you read it over and over, you go to your passages.

[The Other Woman]s not only a story about friendship and women and how we support one another and how we're there for one another, but it also shows how different these women are. They each have their own strengths and weaknesses, and those strengths and weaknesses help each one of them in their own way.

think people get scared that they’re not going to be able to do it perfectly - they’re going to be criticized - they’re going to be like, “Well, I’m not totally green.” Well, you know what? At this point we don’t care... Just a shade of green is enough right now. Move a little bit closer towards this. Because the more people start moving closer and closer to it, that’s something that collectively makes a difference.

I believe in fate and what's meant to be mine will be mine, and if it's not in my lap, then it's not mine.

You have to really be able to trust the director. It's about the filmmaker and whether or not I'm going to be able to have a relationship with them and want to follow them down that road, wherever it may lead.

I think that women are afraid to say they don't want children because they're going to get shunned.