I do play the guitar, and I can sing, but just enough to carry a tune.

There were obvious budgetary and time constraint differences. With Jamie Marks is Dead, we were operating on a pretty small finance level. So it was definitely run-and-gun, 16-hour days, every day. I would come back, and I was so exhausted I would fall asleep in my clothes. Obviously, with The Giver we had a little bit more time to take the full three months. So that was different, but in both there was still a creative environment, and by that I mean that it was still collaborative, performance was still valued, and it wasn't lost in the money.

You can't just look at someone and guess their sexuality. There's no point in assuming that every gay man has just one personality type.

Don't get me wrong, Carter Smith is an insanely talented photographer, but as a director he approached it more from a story standpoint. He definitely had an interest in communicating the text and the characters first, and he allowed his cinematographer Darren Lew to really find the visuals - of course, he worked with him throughout the entire Jamie Marks Is Dead movie, it was a collaborative effort. While the movie is very visually beautiful, in my opinion, very visually striking, Carter was definitely approaching it from a performance standpoint first.

I dont like quotes. You can quote me on that.

You put so much of yourself out there as an actor. You show the many facets of who you are when you're performing - or who you could be - you show yourself angry, upset, sad, vulnerable. The one thing I keep as my own private secret is the music.

I had never really heard of Meryl Streep before. Someone told me she was an actress and she'd been in a few things, but I said, you know, whatever. She showed up and she seemed somewhat inexperienced, so I gave her a few pointers, and I think she has a decent career ahead of her. It's always hard to tell these things in Hollywood, but I do think that she has some talent under there. I think she's a diamond in the rough.