I play drums and guitar, I snowboard, I do martial arts and acrobatics. I go to the movies every Friday.

There were obvious budgetary and time constraint differences. With Jamie Marks is Dead, we were operating on a pretty small finance level. So it was definitely run-and-gun, 16-hour days, every day. I would come back, and I was so exhausted I would fall asleep in my clothes. Obviously, with The Giver we had a little bit more time to take the full three months. So that was different, but in both there was still a creative environment, and by that I mean that it was still collaborative, performance was still valued, and it wasn't lost in the money.

I seek a diverse spectrum of roles. If I just was in a large-budget feature for a younger audience, then I want to find a smaller, more character-driven piece that might be for a more mature audience. Or if I'm playing a goofier character, then maybe I want to go play a serious, psychopathic character. But at the same time, it's usually a case-by-case basis where I'm judging the merit of a role by the script I'm given, and it usually has less to do with the larger framework and more to do with how the part personally appeals to me in that moment.

I play drums and guitar, I snowboard, I do martial arts and acrobatics. I go to the movies every Friday.

Large-budget movies start to lose focus on the story and the actors, and it becomes purely about the visual, or CGI, or framing with the cranes, or whatever it may be.

William H. Macy has said, and I don't think I can quote him verbatim, but he's said many times before to not buy into the hype, the Hollywood appeal. To find yourself as a person, as a family man, to find your own happiness, and not to allow your ego to get in the way of your work.

Don't get me wrong, Carter Smith is an insanely talented photographer, but as a director he approached it more from a story standpoint. He definitely had an interest in communicating the text and the characters first, and he allowed his cinematographer Darren Lew to really find the visuals - of course, he worked with him throughout the entire Jamie Marks Is Dead movie, it was a collaborative effort. While the movie is very visually beautiful, in my opinion, very visually striking, Carter was definitely approaching it from a performance standpoint first.