Large-budget movies start to lose focus on the story and the actors, and it becomes purely about the visual, or CGI, or framing with the cranes, or whatever it may be.

One of my favorite movies of all time is Fargo.

I traveled to Berlin promoting something a few years back, and Berlin is absolutely my favorite city I've ever been to. I want desperately to film something there.

You put so much of yourself out there as an actor. You show the many facets of who you are when you're performing - or who you could be - you show yourself angry, upset, sad, vulnerable. The one thing I keep as my own private secret is the music.

I was home-schooled for my entire high school experience, so I never went to prom.

There were obvious budgetary and time constraint differences. With Jamie Marks is Dead, we were operating on a pretty small finance level. So it was definitely run-and-gun, 16-hour days, every day. I would come back, and I was so exhausted I would fall asleep in my clothes. Obviously, with The Giver we had a little bit more time to take the full three months. So that was different, but in both there was still a creative environment, and by that I mean that it was still collaborative, performance was still valued, and it wasn't lost in the money.

TV is longer form, and that's sometimes a positive, and sometimes a more challenging thing. As an actor, you want to be able to have your character develop or transform in some way. When you're acting on a show over the course of multiple seasons, you get to watch a character really grow and change, and go from one place to an entirely other place.