A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.

Is it possible to be a revolutionary and like flowers?

I'm spending a lot of time in the Palazzo and in the museums. I'm printing [pictures that I take] and making a binder with a mix of internet research and palazzo research that I'm planning to use for the upcoming works.

Daily life is both the subject and environment of the work I am making.

Art has to maintain as large a space for interpretation as possible, and to protect itself from being too narrow.

In fact, the underlying principle of the baroque is the idea of transformation, of movement, and animals becoming man, and man becoming animals, and mythology. It was a way to inspire pre-Christian character.

I think humor is often a very powerful tool to be able to express ideas that are heavy.