One of my assistants was on Instagram and showed me how it was working. I thought it was playful, the way you go through images, a little like cinema. It's a bit like a filmstrip that's animated by your finger.

I felt like if I was on Facebook, I would probably spend my days looking at people's profiles, seeing what they do, and feeling bad about not working enough.

I like to make sculpture because it makes my life social. When I make drawings, I work alone. When I work with sculpture I have someone I can work with.

The political cartoon, in a way, is one of the highest forms of expression about our times. I don't believe in dramatic statements when it comes to political critique. It doesn't communicate in a way that's subversive enough.

Is it possible to be a revolutionary and like flowers?

I know that Instagram belongs to Facebook, so I cannot really stand on a political pedestal and say, "I'm against Facebook!" But I haven't wanted to be on Facebook from the beginning.

When I think about the reference to baroque, I'm most interested in how art was integrated into domestic life. That's why I like fresco, because fresco is part of the wall. It's art, but it's decoration at the same time.