I think my work is about the different strategies man has invented to deal with desire, frustration, fear of death, exhaustion. It's very much about life on earth.

In a way, the political cartoon drawings are things that are small and have humor and a childhood aesthetic and are often stronger to spread an opinion.

Art has to maintain as large a space for interpretation as possible, and to protect itself from being too narrow.

I'm spending a lot of time in the Palazzo and in the museums. I'm printing [pictures that I take] and making a binder with a mix of internet research and palazzo research that I'm planning to use for the upcoming works.

One of my assistants was on Instagram and showed me how it was working. I thought it was playful, the way you go through images, a little like cinema. It's a bit like a filmstrip that's animated by your finger.

In the traditional Ikebana things always have to be asymmetrical, because in this they look more natural and balanced.

I want to experiment with new techniques and become a "traditional baroque artist."