I think my work is about the different strategies man has invented to deal with desire, frustration, fear of death, exhaustion. It's very much about life on earth.

A lot of my work deals with this emotion of discouragement or fear, and this emotion cannot be approached without humor because then things become indigestible. You don't want to eat them; you don't want to be in contact with them.

Religion is in every aspect of art, when it's not baroque.

What I like about baroque is the reemergence of pre-Christian religion. The art of baroque mixes ancient pre-Christian myths with Christian imagery and each reflects upon the other.

Art has to maintain as large a space for interpretation as possible, and to protect itself from being too narrow.

Daily life is both the subject and environment of the work I am making.

Basically, art should remain something that is complex, that has many layers, so there's always a possibility to reconsider things and have a different perspective. It's not just an advertisement with one single message that has some authority, political or not.