As a major contemporary composer, Madonna should not let the eye dictate to the ear.

Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.

There you have it: an expensive higher education based on sloganeering, on pat, trite phrases that substitute moral posturing for political reasoning. It's elitism masquerading as egalitarianism.

Now that virtually every career is an option for ambitious girls, it can no longer be considered regressive or reactionary to reintroduce discussion of marriage and motherhood to primary education. We certainly do not want to return to the simplistic duality of home economics classes for girls and wood shop for boys.

The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.

I believe that the shocking toll of AIDS on gay men in the West was partly due to their Seventies delusions that a world without women was possible. All-male energies, unbalanced and ravenous, literally tore the body apart.

Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.