I probably dreamt about running off to America or something when I was 16 because it just seemed like I was studying algebra and going, 'What am I going to use this for?

The minute I get into a hotel room, I scatter my stuff everywhere. It's like a bomb site within a minute. So I suppose that means I'm trying to nest.

It doesn't matter what you feel - ultimately, it's what the audience feels. You can finish a scene and think to yourself, 'Oh, God. I was so deep in that moment,' and find it just didn't play. I don't know if I have very good radar about that or not.

I don't really think about roles - "dream roles." It's always about who's gonna be the person on the screen or who's gonna be the person on the stage and who's gonna direct it and put it all together.

People get married when they're 18 and spend their whole lives together. I think their greatest fear is that someone will see it as a fling because they were young and it didn't mean anything.

I've always played characters that were younger than myself.

From Wall Street to Drive was almost a year, when I didn't do anything 'cause there was just nothing that was significantly different from the things I'd done before. There was just nothing to explore.