When I was writing Razor Girl, I thought it would be fun to have a redneck TV family that was really just a bunch of actors who had to be trained to be rednecks. That's not so farfetched, if you know how Hollywood works.

I won't be making any friends in the corporate suites.

A bonus, being a writer, is that the true-life source material is fabulously bizarre. There's so much corruption, violence and free-floating depravity that the well never runs dry, whether you're a novelist, a journalist, or both.

The Florida in my novels is not as seedy as the real Florida. It's hard to stay ahead of the curve. Every time I write a scene that I think is the sickest thing I have ever dreamed up, it is surpassed by something that happens in real life.

Mickey Cray had been out of work ever since a dead iguana fell from a palm tree and hit him on the head.

I'm sort of fascinated by America's fascination with rednecks, the whole Duck Dynasty thing. Being a white guy from the South, I find it amazing that so many TV viewers are enchanted by beards, bad dentistry and moonshine accents.

My humour has always come from anger, but I have to make sure I don't just get angry and jump on a soapbox.