I saw that everything, all paths I had been following, all steps I had taken, were leading back to a single point - namely, to the mid-point. It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation. I knew that in finding the mandala as an expression of the self I had attained what was for me the ultimate.

The creative process, so far as we are able to follow it at all, consists in the unconscious activation of an archetypal image and elaborating and shaping the image into the finished work. By giving it shape, the artist translates it into the language of the present and so makes it possible for us to find our way back to the deepest springs of life.

I cannot define for you what God is. I can only say that my work has proved empirically that the pattern of God exists in every man and that this pattern has at its disposal the greatest of all his energies for transformation and transfiguration of his natural being. Not only the meaning of his life but his renewal and his institutions depend on his conscious relationship with this pattern of his collective unconscious.

The only important thing is to follow nature. A tiger should be a good tiger; a tree, a good tree. So people should be people. But to know what people are, one must follow nature and go alone, admitting the importance of the unexpected. Still, nothing is possible without love. . . . For love puts one in a mood to risk everything, and not to withhold important elements.

As a child I felt myself to be alone, and I am still, because I know things and must hint at things which others apparently know nothing of, and for the most part do not want to know.

Life is a luminous pause between two mysteries that are yet one.

That which we do not bring to consciousness appears in our lives as fate.