Every combat is the bloody and destructive measuring of the strength of forces, physical and moral; whoever at the close has the greatest amount of both left is the conqueror.

To discover how much of our resources must be mobilized for war, we must first examine our political aim and that of the enemy. We must gauge the strength and situation of the opposite state. We must gauge the character and abilities of its government and people and do the same in regard to our own. Finally, we must evaluate the political sympathies of other states and the effect the war may have on them.

A certain grasp of military affairs is vital for those in charge of general policy.

Surprise becomes effective when we suddenly face the enemy at one point with far more troops than he expected. This type of numerical superiority is quite distinct from numerical superiority in general: it is the most powerful medium in the art of war.

The general unreliability of all information presents a special problem in war: all action takes place, so to speak, in the twilight, which, like fog or moonlight, often tends to make things seem grotesque and larger than they really are. Whatever is hidden from full view in this feeble light has to be guessed at by talent, or simply left to chance. So once again for the lack of objective knowledge, one has to trust to talent or to luck.

Desperate affairs require desperate remedies.

[...] to introduce into the philosophy of war itself a principle of moderation would be an absurdity