I have had more magazine covers in the last 25 years than I have had in my whole elongated career. [...] Today I am in a territory that business considers unmarketable: age and white hair. Slowly, however, I started to own that territory little by little because I stood up for age.

I'm a working woman of 80 trying to work out what the image I can project is. How I can do it with, you know, dignity.

I don't live for stuff and things, and if I had to live in a cardboard box, I would put curtains on it.

Fashion matters to the degree that it is, for the sighted person, the first language we speak to each other. We are... "judge" is a very harsh word, but we're taking in and we're evaluating. Who is this person? What do I have in common? Do I respect them? All of that is that unspoken visual impact.

The minute we don't finance the arts, the accountants, attorneys and politicians keep taking the cream of money off the top and it doesn't trickle down unless all of society understands that we must support the arts, whether it's ballet, opera, fashion. Fashion is like opera, is like ballet, is like theatre. It's a visual theatre.

The key to overcoming adversity is to be ready to understand that you have enough, no matter what rug is pulled out from under you. You can't live in fear, or thinking "I'll never figure it out." The more consciously we can understand what we're experiencing, the more that is our protection. So, we run into adversity, but we don't have to stay there if we have imagination and a way to help ourselves change course. Sometimes we can't - knowing the difference is wisdom and the acceptance that we have enough.

I didn't marry to have children. I married to have a relationship, and I was blessed with one child. I was an only child, too - my mother was smarter than most women today; she just had me.