I'm doing the best I can with the ravages of time on my body and I'm a work in progress. I can't write a memoir because I can't do it this week or next week... I try to be an inspiration to the young to respect their older people; we can't stay the same, but we do the best we can with what's left. You can't whine about stuff, you have to learn to eat humble pie along the way and keep going, because the alternative is going to happen.
Carmen Dell'OreficeI'm totally formed by my mother's interest in fashion. As a Hungarian immigrant, she couldn't afford clothes. She made all her clothes from patterns. It was not dรฉpassรฉ to make your own clothes, it was a respected skill and it was financially expedient. I learned that doing it yourself, having self-discipline and working went hand in hand. To work passionately at something is the key. I'm fortunate and blessed to have had, for the most part in my life, the privilege to work at something I'm passionate about.
Carmen Dell'OreficeFacion goes in cycles but nothing has changed. When it's ridiculous it's more ridiculous than ever, and when it's wonderful it becomes more wonderful than ever because now more people think: "I dress the body I have, not I have to change the body to wear the fashion." That's what I admire about the growth of the fashion industry. I also think it's wonderful that there is the opportunity to use different textures and fabrics on different colour skins. I am inspired by that.
Carmen Dell'OreficeYou know, Italian-Hungarian - no matter how linear and cool I look on the outside, I have all that energy trying to find its way through life.
Carmen Dell'OreficeI don't live for stuff and things, and if I had to live in a cardboard box, I would put curtains on it.
Carmen Dell'OreficeFashion matters to the degree that it is, for the sighted person, the first language we speak to each other. We are... "judge" is a very harsh word, but we're taking in and we're evaluating. Who is this person? What do I have in common? Do I respect them? All of that is that unspoken visual impact.
Carmen Dell'Orefice