I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.

I notice that I only publish once every four years. It takes a couple of years to write a book and then, for me, for one reason or another, it usually takes about a year of sort of dicking around before I start up. I write a review or little magazine pieces and touring with the other book. But mainly it's just you're not ready, I'm not ready to start another. You're just not up for it.

I don't know what people think they're trying to do with literary novels, but they're trying to do something. They're trying to change the world, although that's so crazy. That's just delusional. But I recognize that it's crazy. It will be a little dinky change.

It's my experience that you first feel the impulse to write in your chest. It's like falling in love, only more so. It feels like something criminal. It feels like unspeakably wild sex. So, think: When you feel the overpowering need to go out and find some unspeakably wild sex, do you rush to tell your mom about it?

Every word a woman writes changes the story of the world, revises the official version.

I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.

I don't think you think of your audience as much as you think, when you're revising, how it holds together. I mean I think the first draft is art, and the second draft, third, fourth draft is craft. Putting it together so that it has a good pattern.