I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.

I don't think you think of your audience as much as you think, when you're revising, how it holds together. I mean I think the first draft is art, and the second draft, third, fourth draft is craft. Putting it together so that it has a good pattern.

I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.

Women want a family life that glitters and is stable. They don't want some lump spouse watching ice hockey in the late hours of his eighteenth beer. They want a family that is so much fun and is so smart that they look forward to Thanksgiving rather than regarding it with a shudder. That's the glitter part. The stable part is, obviously, they don't want to be one bead on a long necklace of wives. They want, just like men, fun, love, fame, money and power. And equal pay for equal work.

A great novelist must open the reader's heart, allow the reader to remember the vastness and glory -- and shame and shabbiness -- of what it is to be human.

It's my experience that you first feel the impulse to write in your chest. It's like falling in love, only more so. It feels like something criminal. It feels like unspeakably wild sex. So, think: When you feel the overpowering need to go out and find some unspeakably wild sex, do you rush to tell your mom about it?

I don't know what people think they're trying to do with literary novels, but they're trying to do something. They're trying to change the world, although that's so crazy. That's just delusional. But I recognize that it's crazy. It will be a little dinky change.