If your whole world of a band or music is taking place in a digital realm or on technological devices, it's all mediated through those things. That takes away from the experiential and sensual nature of music. That's a lot less exciting for me to think about. It's not my ideal way of living with music.

"We can't name it, but we can sing along." That is my ultimate relationship to any art form, but especially music.

I am a horrible visual artist. I can't fix a car, sew, knit, cook, etc. Statistically, there is more I don't do than do.

I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.

I think closing-off is the most detrimental thing we can do as people. Also, the idea of not judging oneself.

There are foods you should avoid. For me, sugar is a no. Because it gives me a spike and then a crash.

I've always been interested in queerness and underground and fringe and periphery, and who and what flourishes in those spaces. Those spaces that are darker and dingier and more dangerous, more lonely. What comes out of there, to me, is the life force. I'm excited when the center reaches over to those places and pulls inspiration from them, and translates it for a lot of people.