It's true in life, as in the movies, that the greatest highs are often followed by the lowest lows.

When I work, I live in a fantasy world. It's great. I get to play different characters who inspire me.

I feel like if a film is well-written, then the character's arc is complete. There really is very little room to expand on that afterwards.

The experience you have making the movie is all you have; when the movie's finished, that's for other people. But while you're doing it, that's your time on the planet, so you want it to be good.

No one is black and white or good or bad or happy or sad or what have you. [All have] particular idiosyncrasies that make them fascinating and that's how I tend to approach a character.

I got a massive overdose of gamma radiation from the Xerox machine and just printing call sheets, you know? By the time I stepped in front of the camera, I was very comfortable. It was great.

My stepfather was a producer. I'd always wanted to be in show business. And so when he came into my life and he told my brothers and myself, he said, look, if you want to be in this business, you're all going to have to start at the bottom.