I have aspirations of making a big, historical epic. I don't know if I'll ever get the money to do it.

My mind is in so many different places while we're shooting. Part of it is watching the performance, part of it is watching the camera, and part of it is thinking about the stuff that we have to get that day. It's always a pleasure watching, but you also take it for granted, when you're on the actual grind, making the show.

You're always against the clock. But really just fighting for quality.

If you think of most murders as being between people who know each other, it's very easy to figure out who the killer is. But when you have a murder that appears random, where the person is not someone that's within the known radius of the victim, then it's much, much more difficult to solve.

I have aspirations of making a big, historical epic. I don't know if I'll ever get the money to do it.

You have to tease enough misinformation and lack of information to hopefully make people want more.

I don't think I'd ever write anything that I don't also direct just because it's so hard and painful to write as it is.