My mind is in so many different places while we're shooting. Part of it is watching the performance, part of it is watching the camera, and part of it is thinking about the stuff that we have to get that day. It's always a pleasure watching, but you also take it for granted, when you're on the actual grind, making the show.

The theoretical casting part of movies is the funnest part. You really can imagine so many different versions of a story, based on who's embodying it.

I don't really put trophies out. I don't keep trophies around my apartment.

As a director, your job is to make sure no one for any reason is taken out of the film. Sometimes it's impossible and sometimes things don't come out the way you want them to, but I think you have to work really hard at making the world engrossing and details are a major part of that.

All I kept thinking about was, "Man, he's so relaxed onstage! I'm never going to be that relaxed! I'm clearly not meant to be in front of the camera. I'm really not meant for anything but behind the camera."

Collaboration sometimes causes conflict, and sometimes it's easy, but the bringing together of great minds only adds.

If you really want to tell someone you love them, you don't just go and blurt it out. There's a dance. And your movie does that.