The theoretical casting part of movies is the funnest part. You really can imagine so many different versions of a story, based on who's embodying it.

The theoretical casting part of movies is the funnest part. You really can imagine so many different versions of a story, based on who's embodying it.

I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.

When you know you have a certain amount of work to finish, you just don't allow yourself to get sick again.

A period romance film with elements of horror. That was successful, because I feel like Coppola's DRACULA was one or the other. You know? It was never scary it was never a film he got invested in the romance of the characters. He understood it, but he never got invested. So it as a challenge for me to see if I could do that, I still don't know how audiences will sort of react to that.

I don't really put trophies out. I don't keep trophies around my apartment.

When people start talking, things happen.