Folk art has never been much about politics; it's about action and utility.

It doesn't mean that I'm overly enthusiastic about much music. Except the people that really touch me. It has to touch me, it has to grab a hold of me, I'm not looking for anything in particular.

I wouldn't go into the studio if I didn't have a band who's ready, willing, and able.

I've always been interested in an idea of boundless love - an impersonal, big love.

I wouldn't claim to know what another person is thinking. I can imagine it, but it's my interpretation, and I try to make that clear. It's my vision of what I think their life is. I don't think there are empirical truths in that regard.

It's just a joy to be able to work with a lot of different musicians. When you play with great musicians, whether they're schooled or self-taught, they keep you on your toes.

I love songs because by nature they are concise; they sum up. I try to use as few words as possible. It's usually funnier that way, anyway.