I'm so misunderstood!

With a role like Hedda Gabler, which is incredibly complicated, you often feel that you haven't even scratched the surface the first time around, so you relish the opportunity to do it again, particularly with an ensemble of actors and the company we assembled. But when you do that in films you somehow have to make some attempt to uncross people's arms and you have to justify why you're doing it.

The great thing about theater is that when it's great, you'll remember it for the rest of your life. But if you go see ten shows, you'll only get five - if you're lucky - that'll give you that experience. But the rest, at the very least, will be interesting.

Every director works differently.

I feel like I've been marinated in Australian theatre.

Oftentimes you walk on set and then suddenly you're in bed with someone who you've never met before.

When something is a vocation, you don't really make a decision about it.