My everyday beauty routine is always rushed and pretty simple.

The thing I love about live performance the most, is that the doors are closed, the lights are turned down, and the audience has to be reverential to what's happening onstage.

I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.

What I find interesting is this ricochet effect, that the audience perceives the work and then does something with it, throws it back to the world, and there's an ongoing interaction between work and audience, which doesn't belong to the artist anymore - from the moment you release it, it doesn't belong to anybody.

If you only exercise your soloist muscles, the other muscles quickly atrophy.

There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.

There's an expression in Australia that's called 'Go Bush,' which means to get out of the city and relax. I try and 'go bush' to places where there's no cell reception. But, I don't get to do that often, so for the most part, it's just a state of mind.