You know you've made it when you've been moulded in miniature plastic. But you know what children do with Barbie dolls - it's a bit scary, actually.

If you age with somebody, you go through so many roles - you're lovers, friends, enemies, colleagues, strangers; you're brother and sister. That's what intimacy is, if you're with your soulmate.

I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.

What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.

I've reprised roles in the theatre, which is somehow more accepted, and where one can automatically go deeper and further into the role.

Every director works differently.

One of my favorite moments is onstage, when you see a dancer leap, and you think they're flying, and then they fall. It's that moment of suspension that you look for, and sometimes you get it and sometimes you don't.