Oftentimes you walk on set and then suddenly you're in bed with someone who you've never met before.

The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.

I don't understand a way to work other than bold-facedly running towards failure.

I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.

I think you need to have a healthy sense of doubt because I think doubt leads to inquiry.

The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'

Well, I've never looked upon myself as being a beauty, per se.