Please, I need you to save my ass.

We talked about trying to create an image that would somehow, to an audience, create the sense of awe, wonder and shock that the troops must have felt that their monarch - and a female monarch - went to the frontline of battle and was prepared to lay down her life. This speech is so well known and has been done in virtually every version of the events of Elizabeth's life.

To record something on your iPhone to be watched later, that's like the opposite of theater. The joy of being there is experiencing it with other people. It doesn't translate onto your phone. It's about being present.

When you go to a concert, part of being there is that you're all hearing the same thing. It's about being in a crowd. If you go to a gig and there are two people there, then it's not the same thing.

I'm not sitting on a soapbox telling women what they should and shouldn't do, but I know what works for me.

The notion of fate and destiny is a very Greek concept. Working in the theater you do think a lot about that, because as a storyteller you do think, 'At what point was this always going to happen and what part have I got a hand in being able to change things?'

The first thing is to accept that theater is an unknown. If you go to a concert, you know the music. If you go to an art show, you can literally see the art on your phone before you see it in person. But with theater, often times people aren't prepared to take risks, even though that's exactly what's great about it.