When you're onstage, you're acutely aware of the reaction of a particular group of people, because it's like a wave.

The emoji still doesn't really speak to the complexity that actually - or the subtext that goes on between when people actually speak face-to-face.

When you go to a concert, part of being there is that you're all hearing the same thing. It's about being in a crowd. If you go to a gig and there are two people there, then it's not the same thing.

It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.

There are certain things in ancient practices that are not worth adhering to.

You know, when you see yourself on a big screen, I tend to watch from behind my hands. There is absolutely the regret. You always get that at the end of every project. That's what's great about theater: at least every night you get the chance to go out and re-offend. I'm endlessly disappointed, which is what propels me into the next project, probably, not to repair the damage but to kind of hopefully keep developing. Otherwise there's no reason to keep doing it, is there?

When I was younger, I was actually looking forward to getting older, to have more insight, more understanding.