Men die. It's practically what they're for.

You are going to break your promise. I understand. And I hold my hands over the ears of my heart, so that I will not hate you.

Do you know, we're right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can't get back to. I don't even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work.

All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.

Autumn is the very soul of metamorphosis, a time when the world is poised at the door of winter - which is the door of death - but has not yet fallen. It is a world of contradictions: a time of harvest and plenty but also of cold and hardship. Here we dwell in the midst of life, but we know most keenly that all things must pass away and shrivel. Autumn turns the world from one thing into another. The year is seasoned and wise but not yet decrepit or senile.

I have made calculations that would beggar your soul. What is it that villains always say at the end of stories? You and I are more alike than you think? Well,” the Marquess took September’s hand in hers and very gently kissed it. “We are. Oh, how alike we are! I feel very warmly towards you, and I only want to protect you, as I wish someone had protected me. Come, September, look out the window with me. It’s not a difficult thing. A show of faith, let’s call it.

You cannot escape where you come from, September. Some part of it remains inside you always, like the slender white heart in the center of the thickest onion.