In both marriage and war you must cut up the things people say like a cake and eat only what you can stomach.

All stories must end so, with the next tale winking out of the corners of the last pages, promising more, promising moonlight and dancing and revels, if only you will come back when spring comes again.

Yes, yes, mistress, I shall go and accomplish your task. Only—I was not only sent to kill the Leucrotta. There is a maiden in a tower—" At this the Witch spat, again rolling her marvelous eyes. "Those revolting creatures are always getting themselves locked up. If only they would stay that way.

Fairy tales have always been about getting through the worst of everything, the darkest and the deepest and the bloodiest of events. They are about surviving, and what you look like when you emerge from the trial. The reason we keep telling fairy tales over and over, that we need to keep telling them, is that the trials change. So the stories change too, and the heroines and villains and magical objects, to keep them true. Fairy tales are the closets where the world keeps its skeletons.

This is what it means to be a woman in this world. Every step is a bargain with pain. Make your black deals in the black wood and decide what you’ll trade for power. For the opposite of weakness, which is not strength but hardness. I am a trap, but so is everything. Pick your price. I am a huckster with a hand in your pocket. I am freedom and I will eat your heart.

Everyone is a criminal! We are beset on all sides by antirevolutionary forces. Naturally, then, humans fall into three categories: the criminal, the not-yet-criminal, and the not-yet-caught.

I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?