Oh, I will be cruel to you, Marya Morevna. It will stop your breath, how cruel I can be. But you understand, don’t you? You are clever enough. I am a demanding creature. I am selfish and cruel and extremely unreasonable. But I am your servant. When you starve I will feed you; when you are sick I will tend you. I crawl at your feet; for before your love, your kisses, I am debased. For you alone I will be weak.

I am a practical girl, and a life is only so long. It should be spent in as much peace and good eating and good reading as possible and no undue excitement. That is all I am after.

I will not let her speak because I love her, and when you love someone, you do not make them tell war stories. A war story is a black space. On the one side is before and on the other side is after, and what is inside belongs only to the dead.

September did not want to feel for the Marquess. That’s how villains get you, she knew. You feel badly for them, and next thing you know, you’re tied to train tracks. But her wild, untried heart opened up another bloom inside her, a dark branch heavy with fruit.

We all just keep moving, September. We keep moving until we stop.

Autumn is the very soul of metamorphosis, a time when the world is poised at the door of winter - which is the door of death - but has not yet fallen. It is a world of contradictions: a time of harvest and plenty but also of cold and hardship. Here we dwell in the midst of life, but we know most keenly that all things must pass away and shrivel. Autumn turns the world from one thing into another. The year is seasoned and wise but not yet decrepit or senile.

She was beautiful and terrifying, savage and pure.