All children are heartless. They have not grown a heart yet, which is why they can climb tall trees and say shocking things and leap so very high that grown-up hearts flutter in terror. Hearts weigh quite a lot. That is why it takes so long to grow one. But, as in their reading and arithmetic and drawing, different children proceed at different speeds. (It is well known that reading quickens the growth of a heart like nothing else.) Some small ones are terrible and fey, Utterly Heartless. Some are dear and sweet and Hardly Heartless at all.

A book is a door, you know. Always and forever. A book is a door into another place and another heart and another world.

Everyone is a criminal! We are beset on all sides by antirevolutionary forces. Naturally, then, humans fall into three categories: the criminal, the not-yet-criminal, and the not-yet-caught.

September could see it. She did not know what is was she saw. That is the disadvantage of being a heroine, rather than a narrator. She knew only that a red light glowed and went dark, glowed and went dark.

It was at thirteen years old that Marya Morevna learned how to keep a secret, and that secrets are jealous things, permitting no fraternization.

You and I, being grown-up and having lost our hearts at least twice or thrice along the way, might shut our eyes and cry out: Not that way, child! But as we have said, September was Somewhat Heartless, and felt herself reasonably safe on that road. Children always do.

...her cry is a hook and it catches me in the throat.