Someone ought to write a novel about me,” said Lebedeva loftily. “I shouldn’t care if they lied to make it more interesting, as long as they were good lies, full of kisses and daring escapes and the occasional act of barbarism. I can’t abide a poor liar.

Magic does that. It wastes you away. Once it grips you by the ear, the real world gets quieter and quieter, until you can hardly hear it at all.

I have made calculations that would beggar your soul. What is it that villains always say at the end of stories? You and I are more alike than you think? Well,” the Marquess took September’s hand in hers and very gently kissed it. “We are. Oh, how alike we are! I feel very warmly towards you, and I only want to protect you, as I wish someone had protected me. Come, September, look out the window with me. It’s not a difficult thing. A show of faith, let’s call it.

...her cry is a hook and it catches me in the throat.

Do you suppose you will look the same when you are an old woman as you do now? Most folk have three faces—the face they get when they’re children, the face they own when they’re grown, and the face they’ve earned when they’re old. But when you live as long as I have, you get many more. I look nothing like I did when I was a wee thing of thirteen. You get the face you build your whole life, with work and loving and grieving and laughing and frowning.

Her heart ached as though a knife had quietly slipped between her ribs.

I will never be without information,' she determined. 'I will do better than my sisters. If a bird or any other beast comes out of that uncanny republic where husbands are grown, I will see him with his skin off before I agree to fall in love.' For this is how Marya Morevna surmised that love was shaped: an agreement, a treaty between two nations that one could either sign or not as they pleased.