To me, the piano in itself is an orchestra.
I discovered very early that it wasn't quite enough for me to imitate people.
In short, [Coltrane's] tone is beautiful because it is functional. In other words, it is always involved in saying something. You can't separate the means that a man uses to say something from what he ultimately says. Technique is not separated from its content in a great artist.
Sometimes when it goes really well, you wonder, "who's that at the piano?"
I try to imitate on the piano the leaps in space a dancer makes.
To feel is perhaps the most terrifying thing in this society.