I do get nervous to act, it kind of depends on what it is really.

Everyone always talks about the speed of New York, and I still walk slow around New York, and everyone is walking faster than me all the time, and I notice it every time we go out.

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

I'm frustrated when I see movies in which I feel like the plot is being told to me instead of shown to me.

Girls were always my biggest distraction in school.

The director sets the tone, and if someone's ruling it with an iron fist, people are quiet and the days go long in my experience, when there's a very serious tone, the days just drag. When there's someone who, in between takes, is joking or laughing the days go quick.

I like vintage stuff. I go through a vintage store and find things that I feel like I fit right into them because of all the years that they've been used.