I learned to appreciate repetition. That's why I can dance. It's how I learned to act. I have a high tolerance for repetition.

Waxing was an interesting experience. Not quite as painful as I expected.

I talk different, I walk different, everything. I don't have one single bad memory [there]. Not one. It was my sanctuary. I hated school, wasn't good in school, and me and my dad butted heads about that. But nothing mattered when I went home to Alabama.

I like to be lean. If I get too bulky I can't move well and I like to move. When I'm not training, I get really round and soft.

There are so many things I want to do. Like, I want to get an artist, a musician, a photographer, and a bunch of dancers that I know and just travel across Africa and just film it and just see what happens. Do and learn as much as I possibly can. Luckily, I have a lot more time.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

I still want to write Clint Eastwood a letter saying, 'I'm sorry, I'm sorry for all us wimp actors. You're the truth.' I guarantee he's not the person you want to fight, even now! You look at him, and you don't want to mess with him. He would still take you down.