I always tend to say "no" to everything, but now I've decided to say "yes" to everything. Now, I'm doing all sorts of things that I would've said "no" to before.

I had two chances to fail [working for Disney]. The first one, they said was "too juvenile." The second one was,they give you general areas to work in. They said, "Set 'My Fair Lady' in ancient Egypt."I came up with this idea about an Egyptian princess, and I gave her, as a sidekick, a little scarab. I had a telephone meeting with the executive "handling" me, and he said, "I looked over the notes. Very cute. But lose the beetle.Beetles don't talk." Well, how do you answer that? I said, "Excuse me just a moment, I've got a teacup calling me on the other line."

I wish somebody would just give me a couple of million dollars a year, so that I could do a play based on every little fantasy I have.

I saw "Follies" again at thirty, and you know, I had this great appreciation for [Stephen] Sondheim's brilliance, his lyrics.

At fifteen, it [ "Follies"] didn't have any kind of resonance with me, this show about regret and middle age.

I grew up with "Follies." I saw it when I was fifteen. It was the original production, and of course, that production will never be equaled.

I stole that from Vito Russo. He said he was a devout believer in Judyism.