I saw "Follies" again at thirty, and you know, I had this great appreciation for [Stephen] Sondheim's brilliance, his lyrics.

I had two chances to fail [working for Disney]. The first one, they said was "too juvenile." The second one was,they give you general areas to work in. They said, "Set 'My Fair Lady' in ancient Egypt."I came up with this idea about an Egyptian princess, and I gave her, as a sidekick, a little scarab. I had a telephone meeting with the executive "handling" me, and he said, "I looked over the notes. Very cute. But lose the beetle.Beetles don't talk." Well, how do you answer that? I said, "Excuse me just a moment, I've got a teacup calling me on the other line."

It's more interesting to put yourself in the place of Bette Davis than Irene Dunne, I guess.

I wish somebody would just give me a couple of million dollars a year, so that I could do a play based on every little fantasy I have.

At fifteen, it [ "Follies"] didn't have any kind of resonance with me, this show about regret and middle age.

I've always wanted to do something where I aged a lot, went from young girl to dowager.

I'm writing the book to a children's musical. I got a note from the producers saying, "Can't you make it campier?" So now, I'm trying to determine the camp sensibility of the average eight year old.