For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes.

Writing novels takes up about 100% of my available working time.

I'm a fuzzy-headed warm-hearted liberal, and I think fuzzy-headed warm-hearted liberalism is an ideological stance that needs defending-if necessary, with a hob-nailed boot-kick to the bollocks of budding totalitarianism.

More often than not, piracy is a symptom of an under-provisioned market.

I reckon I can count on 30 more writing years, averaging a book a year (I can't keep up the 2-2.5 a year I used to do these days). And these days I've gotten round to wondering, for each new idea, "do I want to be remembered for this?" before I get to the point of spending a year on it.

Biggest influence: my mother.

I write exclusively using computers. Pens and typewriters can fsck right off - I wrote my first half million words in my teens on a manual typewriter (had to trade it for a new one due to keys snapping from metal fatigue) so I am not a pen or typewriter fetishist.