For someone who is starting out on developing their critical skills, just being aware of its existence is great: it can make the difference between trying to write a story around a cliche or an original idea, and better still, studying it can eventually clue you in on how to breathe new life into tired tropes.

Today, we see some "file sharing" sites that rely on fans uploading cracked copies of ebooks, and which then make money off those books by charging for downloads (via cash subscriptions or advertising). Again: I take a dim view of this. They're making money off the back of my work without paying me.

Humans are just barely intelligent tool users; Darwinian evolutionary selection stopped when language and tool use converged, leaving the average hairy meme carrier sadly deficient in smarts.

I don't do flash fiction.

I have no policy, for or against: only a personal style. Which is to say, I use them when I think it's appropriate to; for example, an internal monologue by a locquacious and verbose narrator is more likely to be larded with adverbs than an exchange of instant messages between cops at a crime scene.

Any replacement to the current copyright position (life plus 70 years) needs to have an answer lined up for this, and similar, messy edge cases.

I'm a fuzzy-headed warm-hearted liberal, and I think fuzzy-headed warm-hearted liberalism is an ideological stance that needs defending-if necessary, with a hob-nailed boot-kick to the bollocks of budding totalitarianism.