It is abundantly evident that, however natural it may be for us to feel sorrow at the death of our relatives, that sorrow is an error and an evil, and we ought to overcome it. There is no need to sorrow for them, for they have passed into a far wider and happier life. If we sorrow for our own fancied separation from them, we are in the first place weeping over an illusion, for in truth they are not separated from us; and secondly, we are acting selfishly, because we are thinking more of our own apparent loss than of their great and real gain.

We know that all must, in the end, stand by the side of the Divine. There is no escape from it, because that is His will.

The records of every great religion show the presence of such Supermen, so full of the Divine Life that again and again they have been taken as the very representatives of God Himself.

It is abundantly evident that, however natural it may be for us to feel sorrow at the death of our relatives, that sorrow is an error and an evil, and we ought to overcome it. There is no need to sorrow for them, for they have passed into a far wider and happier life. If we sorrow for our own fancied separation from them, we are in the first place weeping over an illusion, for in truth they are not separated from us; and secondly, we are acting selfishly, because we are thinking more of our own apparent loss than of their great and real gain.

It has not been the fashion to be scientific about religion, but it is necessary that we should be scientific; it is time that we examined ourselves as to our faith and tried to know what we believe and why, and on what we base our belief.

The chakras or force-centers are points of connection at which energy flows from one body of a man to another...all these wheels are perpetually rotating, and into the hub or open mouth of each a force from a higher world is always flowing.

If we wish to unfold the mind in our children we do not leave them to their own uncultivated taste in all these things, but we try to help them to train that taste, whether it be in art, in music or in literature.