[My mom] worries about me going and taking drugs, whereas my dad advises me on what drugs to take and what ones not to take. So, they're very different.

When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.

Live in the moment. Feel everything you want to feel. And maybe have a couple of drinks if you're nervous, I guess.

I have a really good relationship with my label and with people I've worked with since I was younger. I've always had a really good relationship, with both men and women. I think, for me, the way I face sexism in the music industry is when people are like, "Oh, she must not write her own music." That's frustrating, in a way. But it's cool. I'm mostly just like, "Meh." I'm just doing my thing.

A great song can make you cry and transport you to another dimension.

I was really selfish, and I didn't want to listen to anyone. Then I started working with some really amazing people, traveling more, and figuring out who I was as a person - looking at different things, listening to different music.

I've definitely become more commercially successful. I think everything has changed over the past two years. People seem to take me seriously now as a songwriter for other artists and as an artist, which is funny to me because I always thought I was good. I guess that's the main change, which is pretty interesting.