I'm very closed off when it comes to working with people, I'm very selective.

I see music in colours. I love music that's black, pink, purple or red - but I hate music that's green, yellow or brown.

I love the rawness in fashion.

I have a really good relationship with my label and with people I've worked with since I was younger. I've always had a really good relationship, with both men and women. I think, for me, the way I face sexism in the music industry is when people are like, "Oh, she must not write her own music." That's frustrating, in a way. But it's cool. I'm mostly just like, "Meh." I'm just doing my thing.

When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.

I always see colors when I listen to music. It's difficult to explain, but when I hear the music I think about gold, blood rushing.

When I first began writing music I was really inspired by the French electro scene.