In many ways, Big Brother is the present day equivalent of a 1980s Club 18-30 Holiday - flirting, sunbathing, silly little organised games, and lots of people you'd like to remove from the genepool with a cricket bat.

I would say the thing you can still see in Black Mirror is that I was probably traumatized by the specter of nuclear war. I was born in 1971, and in the '80s I came to understand that I was inevitably going to be frazzled to death in the nuclear apocalypse.

[The rumor that David Cameron maybe once did this unspeakable thing with a pig's head] it was freakish and weird. It seemed such a coincidence that I couldn't quite process it. And then, as it sank in, I genuinely had the thought, "Am I living in a Truman Show sort of VR simulation designed to send me insane?"

The iPad falls between two stools - not quite a laptop, not quite a smartphone. In other words, it's the spork of the electronic consumer goods world.

In comedy writing, a sitcom plot is basically the same thing: What's the worst thing that could happen? But you're playing it for comic effect. It's a similar muscle being used with Black Mirror.

Beauty is in the eye of the beholder, which is a pity because this week the National Association of Beholders wrote to tell me that I've got a face like a rucksack full of dented bells.

Most writers or performers walk around with the notion in their head that - a paranoid worry that maybe people don't like them.