[Black Mirror] is always about unforeseen consequences and unforeseen problems, it's not usually that someone's created a machine that they want to enslave mankind with, it's someone's invented a new kind of... paperweight that enslaves mankind.

I'll just immediately automatically, without even thinking, check my phone. And it feels like the same little bit of my brain is being - the synapses are lighting up when I do that.

The internet's perfect for all manner of things, but productive discussion ain't one of them. It provides scant room for debate and infinite opportunities for fruitless point-scoring: the heady combination of perceived anonymity, gestated responses, random heckling and a notional “live audience” quickly conspire to create a “perfect storm” of perpetual bickering.

I grew up in the countryside . But there's a danger of us romanticizing that. Because when I was a kid in 1982, that's what my parents were saying to me about television and comics and computer games!

I think somebody's marketing a thing that Hoovers up your Twitter and it will continue tweeting for you after you're dead. I have no idea whether they saw "Be Right Back" or not.

I kept saying I want to do an episode that's set in the past, how do we do a period episode of Black Mirror? And simultaneously there was another idea we were thinking about and the two things sort of gelled and became San Junipero.

When you look at things like social media, that's an immensely powerful tool that I'm all in favor of. I think it's amazing. It's a powerful tool, and it's one that we're, as a species, still grappling with learning to use. It's like we've grown an extra tail and we inadvertently lash out and knock over all of the furniture.