What is useful about when there is a sort of pull-out to reveal moment going on is that it actually focuses the mind when you're writing the earlier scenes because you're thinking 'right, how do I? I can only show this amount of the room... I can only show these characters from the waist up because they've all got robot legs!' it's a challenge so it keeps you engaged on some level.

I am neurotic, and I'm a worrier.

In many ways, Big Brother is the present day equivalent of a 1980s Club 18-30 Holiday - flirting, sunbathing, silly little organised games, and lots of people you'd like to remove from the genepool with a cricket bat.

I think somebody's marketing a thing that Hoovers up your Twitter and it will continue tweeting for you after you're dead. I have no idea whether they saw "Be Right Back" or not.

I kept saying I want to do an episode that's set in the past, how do we do a period episode of Black Mirror? And simultaneously there was another idea we were thinking about and the two things sort of gelled and became San Junipero.

What we were also trying to do is vary the tone slightly across the season of Black Mirror, because there are six stories this time around, so you don't want it to just be the devastating, bleak-em-up.

Technology is a global thing and wherever you go, people are prodding the same devices and worrying in the same way and have had their lives slightly altered in the same way.