The logic for me, in writing it is that the different areas or different years are almost like different rooms.

I think people are starting to look away and questioning, and they're sort of horrified.

One of the benefits of aligning yourself with an indistinct cluster of people is that claiming to feel their pain is often enough.

You don't have the economy of scale of building a set once and casting once. You blow up the world, basically, at the end of each episode.

What is useful about when there is a sort of pull-out to reveal moment going on is that it actually focuses the mind when you're writing the earlier scenes because you're thinking 'right, how do I? I can only show this amount of the room... I can only show these characters from the waist up because they've all got robot legs!' it's a challenge so it keeps you engaged on some level.

We take things that would have struck us as miraculous five years ago for granted. Like Pokémon Go would have been insane, and now it's just like, "Oh, okay."

I really don't want to sound like overly negative or critical of the Internet in general because I'm actually really quite pro-technology.