I saw The Twilight Zone for the first time when I was 12 or 13. I used to stay up late to watch.

What is useful about when there is a sort of pull-out to reveal moment going on is that it actually focuses the mind when you're writing the earlier scenes because you're thinking 'right, how do I? I can only show this amount of the room... I can only show these characters from the waist up because they've all got robot legs!' it's a challenge so it keeps you engaged on some level.

I've instinctively hated the Tories since birth.

I could worry about pretty much anything you put in front of me, so I'm not actually sort of anti-technology. So it doesn't sort of come out of that. It's not like a fear of the future. It's a fear of everything.

I'm somewhat socially inept. Slide me between two strangers at any light-hearted jamboree and I'll either rock awkwardly and silently on my heels, or come out with a stone-cold conversation-killer like, "This room's quite rectangular, isn't it?" I glide through the social whirl with all the elegance of a dog in high heels

We've got characters in the UK like Boris Johnson, who's kind of like a proto Trump in many ways even down to the crazy blonde hair. Then Mayor of London, now Foreign Secretary, Boris Johnson was widely seen as a cartoonish oaf and that made him strangely undentable as a politician. No one could land a blow on him because he was already ridiculous.

We take things that would have struck us as miraculous five years ago for granted. Like Pokémon Go would have been insane, and now it's just like, "Oh, okay."